Posted by admin at 9:49 am

Indian sarees are considered to be one of the most ethnic and graceful attires for the women. There are many styles available like Guajarati or seedha Pallo Bengali or Oriya ulta Pallo maharashtrain tribal lehenga etc. (more…)

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Posted by admin at 9:49 am

Indian sarees are considered to be one of the most ethnic and graceful attires for the women. There are many styles available like Guajarati or seedha Pallo Bengali or Oriya ulta Pallo maharashtrain tribal lehenga etc. (more…)

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Batik Sarees 2011,Batik Sarees 2011 fashion,Batik Sarees 2011 trend,Batik Sarees 2011 fashion trend,Sare,Sari.

Batik Sarees 2011

BATIK – The art form in vogue around the world, Batik is popular not only in India but it is also around the world.

Originated in India, the art of making batik has come a long way from a mere handicraft. To make batik saris clothing are decorating by covering a part of it with a coat of wax and then dyeing the cloth. The waxed areas keep their original color and when the wax is removed the contrast between the dyed and un-dyed areas makes the pattern. The floral designs are mostly seen on batik sarees.

If you want to buy batik visit which gives you the latest range of batik sarees saris, printed batik from Rajasthan and Madhya Pradesh for online shopping of Indian batik sarees, also you can learn more about batik printed sarees and batik printing process.

In the past, batik was considered as a fitting occupation for aristocratic ladies whose delicately painted designs based on bird and flower motifs were a sign of cultivation and refinement just as fine needlework was for European ladies of similar position. The beauty of batik sarees lies in its simplicity and the fact that one need not be an artist to achieve results. Some of the best effects in batik are often achieved by chance.


Batik is very often considered a craft like ceramic, pottery or even needlework. Although it is a household word all over the world, batik is still overlooked by art critics who do not consider it an art form. There are several countries known for their batik and batik creations, starting with India where it originated. After that it moved to Indonesia, Malaysia, Sri Lanka, Thailand and the West.

The history of Indian batik can be traced as far back as 3000 years. Indians were conversant with the resist method of printing designs on cotton fabrics long before any other nation had even tried it. Rice starch, and wax were initially used for printing on fabrics. India has always been noted for its cotton and dyes. The indigo blue, which is the basic color for batik saree, is one of the earliest dyes. It is believed that after its initial popularity in the past, the tedious process of dyeing and waxing caused the decline of batik in India till recent times.


Indonesia apparently took over from India and encouraged the art of batik. With its popularity and success in the western markets, batik became a part of Indonesia.

The revival of batik in India began in the 20th century when it was introduced as a subject at the famous university of Shantiniketan in Calcutta. In the South near Madras, the well-known artist’s village of Chola-Mandal is where batik gets an artistic touch. Batik that is produced in Madras is known for its original and vibrant designs.

Indonesia however is considered the cradle of batik with its many designs, which are restricted for different wearers and occasions. Indonesian batik has characters of mystic and ritualistic connection. Objects like flowers, trees, birds have a significant meaning. The Sawat in Javanese batik has its origins in Hindu mythology, as it is the decorative form of Garuda, Lord Vishnu’s bird. ‘Sidomukti’ is another Hindu influence in batik. ‘Mukti’ means happiness and prosperity in the Hindu mythology. While Indonesia, Malaysia and Thailand are known for their block printing (tjab) method to create batik on a large scale, in Sri Lanka batik is still made by hand. Sri Lankan batik is less intricate and more suited to modern times. (more…)

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Posted by admin at 8:44 am

, undoubtedly, is one of the most convenient Indian outfits for women. Since most of the women are pursuing their own career and remaining outdoors for a major portion of the day, the need for a practical outfit has led to the rampant use of Salwars or Churidars instead of Sarees. It is common knowledge that Salwars or Churidars are much more appropriate for women who need to move around a lot and that they do not get the same comfort from a . (more…)

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Old Styles of Draping

The most common is for the to be wrapped around the waist, with the loose end of the drape to be worn over the shoulder, baring the stomach.[1] However, the can be draped in several different styles, though some styles do require a of a particular length or form. The French cultural anthropologist and sari researcher Chantal Boulanger categorized sari drapes in the following families:[12]

* Nivi – styles originally worn in Andhra Pradesh; besides the modern nivi, there is also the kaccha nivi, where the pleats are passed through the legs and tucked into the waist at the back. This allows free movement while covering the legs.

* Bengali and Oriya .

* Gujarati – this differs from the nivi only in the manner that the loose end is handled: in this , the loose end is draped over the right shoulder rather than the left, and is also draped back-to-front rather than the other way around.

* Maharashtrian/Konkani/Kashta; this drape is very similar to that of the male Maharashtrian dhoti. The center of the sari (held lengthwise) is placed at the center back, the ends are brought forward and tied securely, then the two ends are wrapped around the legs. When worn as a sari, an extra-long cloth is used and the ends are then passed up over the shoulders and the upper body. They are primarily worn by Brahmin women of Maharashtra, Karnataka, Andhra Pradesh and Goa.

* Dravidian – sari drapes worn in Tamil Nadu; many feature a pinkosu, or pleated rosette, at the waist.

* Madisaara style – this drape is typical of Iyengar/Iyer Brahmin ladies from Karnataka, Tamil Nadu, and Kerala

* Kodagu style – this drape is confined to ladies hailing from the Kodagu district of Karnataka. In this style, the pleats are created in the rear, instead of the front. The loose end of the sari is draped back-to-front over the right shoulder, and is pinned to the rest of the sari.

* Gobbe Seere – This style is worn by women in the Malnad or Sahyadri and central region of Karnataka. It is worn with 18 molas with three four rounds at the waist and a knot after crisscrossing over shoulders.

* Gond – sari styles found in many parts of Central India. The cloth is first draped over the left shoulder, then arranged to cover the body. (more…)

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